Last month, I saw Philippe Parreno’s new work, Voices, which is at the Haus der Kunst gallery in Munich, Germany, until 25 May. The artist wants us to create a journey through rooms of light sculptures, heat lamps, speaker arrays, dancers and film screens, guided by a disembodied, AI-generated voice.
A film, El Almendral, forms the centrepiece: footage from a tiny plot in southern Spain is live-streamed into the gallery and sensors feed raw data to an algorithm to activate and change exhibits. It is a heady mix that raises questions about personhood, climate change and cultural iconography in…
