
65 review: Timing is a bit off in Adam Driver's dinosaur thriller
29 March 2023
The premise of this science fiction film from Scott Beck and Bryan Woods doesn't hold up to close scrutiny and the narrative can be jarringly slow-paced

29 March 2023
The premise of this science fiction film from Scott Beck and Bryan Woods doesn't hold up to close scrutiny and the narrative can be jarringly slow-paced

22 March 2023
Four films make up Atomic Light by video and installation artist David Blandy, a work marred by overstatement, but saved by the story of two solar astronomers who drew the sun on the day of the Hiroshima blast

22 March 2023
Earth's climate is reeling out of control in this eight-part sci-fi series stuffed with A-listers. From one of the minds behind An Inconvenient Truth, it is heavy on messaging, but lacks some focus

8 March 2023
New Scientist's weekly round-up of the best books, films, TV series, games and more that you shouldn't miss

6 March 2023
Classical relativity suggests that nothing could pass through a wormhole and exit, but quantum effects change that, says space reporter Leah Crane

5 March 2023
The ballet Creature, adapted for film, worries about how we treat other primates, but its subtleties are overwhelmed by simple moralising and a metaphor that doesn’t work. The dancing is superb, though

24 February 2023
Faith, freedom and spirituality are key to a well-made sci-fi psychological thriller, Animalia. But writer-director Sofia Alaoui leaves the aliens dangling in an unsatisfying ending

15 February 2023
Astronaut Cady Coleman playing duets with her Earth-bound son is among the moving and candid moments from The Longest Goodbye, Ido Mizrahy's poignant exploration of the psychology of space travel

15 February 2023
Apple TV+'s compelling new science-fiction offering is a retro-futurist piece, more 20th-century US social drama than technofest

15 February 2023
A telecommunications museum in Seattle, with a working exchange from the 1940s, shows how telephones brought us together – but also tore us apart, says Annalee Newitz